Museum of Arts and Sciences Google Arts and Culture Match
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Athens, Greece
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224 years ago today, Eugène Delacroix was born
Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the starting time of his career as the leader of the French Romantic school. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the fine art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and motility rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was likewise inspired past Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often fierce activeness. However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in beloved with passion, but coldly determined to express passion as conspicuously as possible."
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Peculiar behaviour
In his painting, Bruegel invites us to a village populated by endless figures, which fill every space in the console. Each character is focused on his tasks, most of which seem, on closer inspection, to be rather peculiar.
Metaphorical dimension
These details make no sense at start sight. But the key to agreement this masterpiece lies in its metaphorical dimension: these villagers are enacting more than 120 proverbs and sayings, each metaphor turned into a literal depiction.
Topsy-turvy earth
Every figure and every little scene belongs to Bruegel's concept of the "topsy-turvy world". As a symbol for this, the painter introduces his composition with a cantankerous-bearing globe, symbol of the world every bit well as holy power. The world, here, definitely is upside-down.
Tarts on the roof
The rooftop is covered with numerous tarts. This could have multiple meanings. The maxim "there the roof is tiled with tarts" refers on i side to the state of plenty. Simply it could also describe a fool's paradise.
Sheep shaving
Here, nosotros see a man shaving a sheep. In relation to his neighbour who works on a pig, this image means "one shears sheep, the other pigs" : some live in luxury, others are in demand.
The Dutch Proverbs, Pieter Bruegel the Elder, 1559
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Founded in 1861, the National Gallery of Victoria is Commonwealth of australia's oldest public art museum with a rich history and world class Collection of over 70,000 works.
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Fontana di Trevi, Nicola Salvi, Giuseppe Pannini, Youth Commission of the Italian National Commission for UNESCO
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'Antibes. Morning time' by Paul Signac, The National Museum in Warsaw
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